George harrison beware of darkness album version

There are some more shocking revelations to be found, though, once buried within the tracks and now bubbling to the surface. Acoustic guitars float up above the din on 'If Not For You,' with strings adding punctuation to the instrumental calls on 'What Is Life' - or are those synths? The notes by Hicks and Dhani Harrison in my edition of this album (I'm holding the five LP version) seem to suggest that some of those organic sounds might not be so. Not that this still isn't a dense, layered record, but Harrison's rich tenor is now suddenly front-and-center on every track. This new mix makes George Harrison the unquestioned star, rather than Phil Spector's reverb and raft of 10,000 instruments playing at once.

Simply, the album you knew is the same, but not quite the same as it was. Just as the song served to bring Harrison out of the Beatles and onto his own platform, the first track of this ambitious remix project sets the table for whatвЂ™s to come - new versions of classic tracks, demo takes and alternate material abound to fill in the margins on a classic moment in recorded music. And while not drastically different, it does play differently enough to be noticeable -В the guitars are a bit more sparse, the vocals fuller and floating above the mix, the reverb that penetrated so much of the original record conspicuously lessened. ItвЂ™s also a song IвЂ™ve listened to hundreds of times, easily, but here, itвЂ™s part of All Things Must Pass -В 50th Anniversary, overseen by Dhani Harrison and remixed by Paul Hicks. ItвЂ™s the iconic opening to George HarrisonвЂ™s All Things Must Pass, and in turn, HarrisonвЂ™s true introduction to the world beyond his cramped role within the Beatles. Wedding Bells (Are Breaking Up That Old Gang Of Mine) (Take 1)Дown To The River (Rocking Chair Jam) (Take 1)ДЇifty years later, new sounds collide with classic vibes on George HarrisonвЂ™s All Things Must PassДrop the needle onto side one, track one -В вЂњIвЂ™d Have You Anytime.вЂќ The familiar opening guitar lick remains, right out of the best R&B recording room, but somehow befitting of this era, when the 1960s gave way to the вЂ™70s and all bets and restrictions were lifted. Producers: George Harrison and Phil SpectorД«allad Of Sir Frankie Crisp (Let It Roll)

George harrison beware of darkness album version